Hop Farm - Iggy, Patti (acoustic), Lou and Morrissey 2 July

2 JULY Line up at HOP FARM festival in the UK includes Lou Reed, Patti Smith (acoustic), Iggy and the Stooges, and Morrissey who will headline.

The day before you can catch The Eagles, and Bryan Ferry.

Hmmm. What to pack? I guess the flared trousers for friday and the black leather pants for Saturday. Oh, and the air mattress (for my old aching back) and the binoculars (for my old fading eye sight). Seeing how old all these bands are, do you suppose the lights in the farm field will go out round midnight and the trance dance disco tent might be a bit empty?

Probably not.

That's probably my imagination, running away with me.

I'll bet the yoof are going to want to see these Mega Stars before they burn out.

PIL are on the bus - you lucky people.

If there is one drummer in the whole wide world you should hear in 3-D surround sound and one singer you should see and experience it's BRUCE SMITH backing Mr. JOHNNY LYDON on the PUBLIC IMAGE LIMITED tour.

You won't get a boom boom tish, you'll get shaken, stirred, rattled and elevated.

You won't be disappointed.

And we'll have something to talk about in the Old Age Pensioner's lounge.

Here's everything you need to know

P J Harvey Terminal 5 New York April 19 April 20

PJ Harvey came to stand left of center on stage spot on 8:45pm.
She wore a long, chalk-white dress.
Her auto harp cradled across her bosom.
Her oil-black hair was dressed up with two HUGE black feathers.
I thought it was a whole bird hat til she turned sideways and the feathers floated far back behind her - almost like a 3-cornered admiral nelson hat.
Against the black curtain she stood out as a wild icelandic creature.
She wore little make up, no signature blood red lips so her face seemed white and ghostly and throughout the show she kept her movements small (which could have disappointed those expecting the Polly Presley of "This is Love" videoness).
Some utterly beautiful photographs by Andrew St. Clair

Sometimes at the end of a song she would walk to the back of the stage that seemed miles and miles away and when she walked back to the mike for the next song, she appeared to float.
Sometimes the stillness of her body allowed the floaty quality to smoke up into the room but it also seemed the stillness grounded her voice so she accessed every vein and artery and breath to call the songs out to me standing in the middle of the melay. She - like an inspiring queen before a battle. Me, like a little shakespearean oik at the Globe Theatre.
I found myself ten feet further in by the middle of her set and I don't remember moving.

I think it was a considered choice not to have anything red on stage.
The men wore brown swede and brown cotton calling to mind blacksmiths and farmers. Maybe Dorset relatives.
Nick Harvey (no relation - although by the end how couldn't he be) on piano, sat centre.
The drum kit appeared way back on stage right and towards the front stage right was the bass player. John Parrish. I couldn't see but I expect they were wearing wellingtons or muddy boots.
The instruments were more like furniture to these acts that were each song.
The musicians thoughtfully moved to position to perform certain songs like [civil war drum song].

The two geezers that are Harvey and Parrish often seemed like minders than musicians. They had deep weathered emotional weight to their singing.
The younger [Jean french name Barum drum] drummer came forward at one point with his "civil war" drum to bang slowly through [song title].

At some point, I felt like each song was a moving painting. Or like I was turning the pages of a picture book.
One might be from a Regency era.
One from outside some Fraganard sitting room.
At some point, I expected someone to draw the curtains in back, to see Constable's hay wain lumbering left to right, and maybe Dorset farmers and maids a-milking in a shed somewhere.
Or a Turner battleship off a coastline.
An Edwardian sufferagette smoking outside St. Paul's cathedral.

The album "Let England Shake" isn't preachy. It's personal. It's war. It's why? It's please don't leave me for that. It's sad. It's beating the drum. It's grim older wiser voices behind simple high pitch calling from this angel harped, accomplished guitarist.

Even tho the lights came on at the end, the farewell music didn't play.
We clapped.
We chanted "Roadie", like youdo.
Someone called to the dressing room for RID OF ME in exchange for their first born. She sang about longing and triggered it in us.
I think she had a second encore in her but we'd seen Mr. Parrish put his raincoat over his arm and his evening chair and slippers beckoned him
I resigned myself to thinkin she was saving her vocals for tonight's demanded second addition show.

At the end of the show, we happened to be clapping behind Delphine Blue who invited us [in the London Fog outside] for a drink at the after party for Big Audio Dynamite at the nearby Hudson Hotel.

If you can get tickets for tonight (i see ebay has some available for reasonable), take tissues.

April 20
Thunder in the forecast...


SET LIST April 19

Let England Shake [From Let England Shake (LES)]
The Words That Maketh Murder [LES]
All And Everyone [LES]
The Big Guns Called Me Back Again
Written On The Forehead [LES]
In The Dark Places [LES]
The Devil [White Chalk]
The Sky Lit Up [This is Desire]
The Glorious Land [LES]
The Last Living Rose [LES]
England [LES]
Pocket Knife [Uh Huh Her]
Bitter Branches [LES]
Down By The Water
C'mon Billy [To Bring you my love]
Hanging In The Wire [LES]
On Battleship Hill [LES]
The Colour Of The Earth [LES]
--
Big Exit [Stories from the city and the sea]
Angelene [This is Desire]
Silence [White Chalk]

Patti Smith on New York Public Radio station

So many of my friends have raved about Patti Smith's book "Just Kids" - about her early life in New Jersey and her move to New York City and life with her "boyfriend" Robert Mapplethorpe -- the book got a National Book Prize, for heaven's sake.

But it seems to me that most of the people that liked the book seem to be triggered by nostalgia for the times when downtown was downtown; you could get a cheap apartment; a job in a cool bookshop; hang out at Washington Sq Park; eat in one of a thousand diners for $1:50 all-you-can-eat-breakfasts with gum chewing waitresses and smoke in bars (don't get me started!) and of course, meet fabulous people - especially if you lived at the Chelsea Hotel.

I finished the book and felt like I'd been cheated. It seems to me that Smith has taken credit for some of the ideas that Mapplethorp had. Like, the idea to take photographs. Am I mean when I say, "really???" He's not around for her to say, "I thought of that myself, Patti." We can't turn to Mapplethorpe and say, "is that true?"

Patti Smith doesn't mention that they got married so his family would stop questioning his sexuality. I believe they didn't get a divorce and I believe that Patti Smith actually gets quite an income from the Mapplethorp will. Patti Smith seems to want me to think that Mapplethorp went gay AFTER he couldn't have a life with her through HER choice. And yet, the whole time she is "going out" with him, she is trying to look like an emaciated boy. Or, by her own admission, Keith Richards.

Which brings me to sex: How come Patti Smith can't write about their sexual relationship? After all - Mapplethorp didn't seem shy about sex where HIS work is anything to go by.

How come she didn't address why she chose a MAN'S influence to talk about coming out of her Art Egg?

I think I know what you are going to say - but it's EASY to say that "there werent that many female artists to look up too" - but in Patti Smith's case - I don't think that's entirely true.

Isn't sitting in the SAME HOTEL CHELSEA ROOM with Janis Joplin enough of a female freeking icon?

I got the sense that Patti Smith would have slept with Janis' boyfriend for validation. If Janis Joplin liked boys, which I'm not sure she totally did.

And another thing, Smith hung out with a lot of poets at the Chelsea Hotel who hung out at the POETRY PROJECT -- and I know for a FACT that when Patti Smith hung out at the Poetry Project there were MANY wild and crazy live wire female poets there. I witnessed two of her contemporaries myself only three months ago at the Annual New Years Day Poetry Project Marathon.

So ...

I was interested to hear Patti Smith opening up further about their relationship in this interview on New York NPR.

The interviewer gently coaxes Patti Smith to reveal and discuss more regarding the book as well as her artistic development at that time.

it's an interesting conversation.

Smith's whole story has yet to be told. Victor Bokris did a good unauthorised version and spilt the beans about the affair with that guy Alan Lanier from that band with long hair at the same time that she was seeing Tom Verlaine... and there is, of course, a complicated woman behind the long hair that is upon the head of my guru Patti Smith -- I'm a fan -

If you haven't heard RADIO ETHIOPIA or HORSES, you should.
What the fuck she's talking and singing about, I have no idea to this day, but if you can get to stand in a room with the Patti Smith band playing live, flipping your mindcells with a voice that becomes a remote control on your very heart and blood bits - yes, Patti's life force has urgency and power and rawness and spit and transcendance and magic that still causes friction for anyone's creativity to rub and spark against .. er, where was I? Oh yes.

I heard this radio show.

And I thought there's some interesting bits here.

http://www.npr.org/templates/story/story.php?storyId=122722618


Here's the book for $7 online http://www.google.com/products/catalog?hl=en&sugexp=ldymls&pq=just+kids&xhr=t&q=just+kids+patti+smith&cp=10&qe=SlVTVCBLSURTIA&qesig=HebLgsvbPw8znaUpUTyksg&pkc=AFgZ2tkyKpcoE5aVqhEAulX8MmWlrN6hLRXGGoKUt8qWhnst68Iz0YJuY16p_pG_2zd0d4LYrKtELFyb2gZc8JlEAz41ioR0Xw&client=safari&rls=en&bav=on.2,or.&um=1&ie=UTF-8&cid=3090994088412109167&sa=X&ei=Ghl0TcfSI4yugQe_j9U4&sqi=2&ved=0CDwQ8wIwAg#ps-sellers"

Pop Group are coming to the USA October 1st 2011

ALL TOMORROW'S PARTIES is coming to USA.

Curated and headlined by PORTISHEAD I'm very excited to see they are going to be joined by THE POP GROUP.
When I saw The Pop Group last September in London, they were white hot and I met Mark Stewart. He told me The Pop Group were in the studio working on a new album. He also told me a few little bits about his solo album - and now that I've worked out how to work my tape recorder - I'll be posting our conversation sooOOOon.

Meanwhile...
more information here: http://www.atpfestival.com/newsview/1102171400.php>

tickets here: http://www.atpfestival.com/events/ibymasburypark/tickets.php>

Public Image play Dublin - June 10th

PiL will play their FIRST EVER show in Dublin, Ireland on Friday, June 10th at the city's Tripod venue
Tickets go on general sale this Friday, January 28th.

See Tripod website for venue and ticket info. http://www.pod.ie/news_list.php?newsID=291&from_index=1

Ari Up memorial - Vivien Goldman and Friends Host Punky Reggae Party in Brooklyn, Jan 16

To honor of the memory of the legendary ARI UP - lead singer of the pioneering girl punk band THE SLITS, True Warriors and more, Vivien Goldman, Dunia Best & Aram Sinnreich (Agent 99 / Brave New Girl) and friends are throwing a PUNKY REGGAE PARTY. Participating artists include original and current members of The Slits, including
Tessa Pollitt,
Hollie Cook -- daughter of Paul Cook - (drummer Sex Pistols)
Neneh Cherry
Felice Rosser (Faith),
Qmaxx (The Slackers / The Bandroidz),
Bruce Smith (Public Image Ltd).,
Tamar-Kali,
Honeychild Coleman (Badawi / Apollo Heights / The Slits / Pollen),
Judy Nylon (Snatch / Pal Judy)
and many luminaries from the punk and reggae worlds backed by The True Warriors performing classic Slits hits and dancehall originals by Ari Up and the True Warriors.

$15 advance / $20 day of show / 18 and Over

For more info:
Music Hall of Williamsburg

Get your ticket here